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specsmanship

'One million' to one: Why contrast ratio is the Dr. Evil of HDTV specs

Contrast ratio should be black and white. Taken at face value, it's the ratio of the light level (luminance) the display produces when fed a white signal to the luminance when it's fed a black signal. Unfortunately, it's probably the most misused, inflated, and ultimately misleading specification used to describe HDTVs today.

At the 2009 Consumer Electronics Show, manufacturers quoted contrast ratio specs of 1,000,000:1 or 2,000,000:1 for upcoming LED-based LCD displays (Vizio and LG, respectively), which are similar to the specs quoted by Samsung and Sony for their current LED models. Those numbers sure do sound impressive, but what do they mean in the real world?

Very little. It's true that in general, a higher contrast ratio can indicate that the display produces a deeper level of black, with all of the picture-quality benefits that brings--but then again it might not. Despite the million-to-one contrast ratios of the Samsung and Sony LED sets we reviewed, we observed better black-level performance in the Pioneer PRO-111FD. Pioneer doesn't publish a contrast ratio spec for that television, but has claimed that its black levels are so deep as to be "immeasurable." … Read more

Flash news: Sony announces its first removable-media HD camcorder

And then there were four: quadruplet Sony HD camcorders, that is. When they ship on June 27, the $1,200 Memory Stick Duo-based Handycam HDR-CX7 and $1,400 hard-disk-based HDR-SR7 will join the tape-based HDR-HC7 and DVD-based HDR-UX7 to provide consumers with an almost bewildering array of HD options.

They differ primarily by storage media. All use the same 1/2.9-inch, 3.2-megapixel ClearVid CMOS sensor, recording video at 2.3-megapixel (HD) or 1.7-megapixel (SD) resolution before downsampling and encoding to 1080i HD (1,920x540) or SD (720x480), respectively. They also shoot photos at native 2.3-megapixel (16:… Read more