High-End Audio

What, you don't have a turntable? What's wrong with you?

When the CD was unveiled to the world in 1982 with the "Perfect Sound Forever" motto, everyone assumed the LP's days were numbered. Well, nearly three decades later, vinyl's hanging in there and the CD's future looks uncertain.

Vinyl appeals to oldsters who still covet their LP collections, and kids who are just now getting into the groove. To some vinyl sounds better, more musical than digital, and some just dig the more physical connection to the music vinyl provides.

I heard the NuForce Icon (briefly) at the Rocky Mountain Audio Fest last year, and the little bugger was astounding. The anodized aluminum chassis is available in four snazzy colors. It feels well made.

Stereophile's Wes Phillips reviewed it for real. He even had the nerve to hook up the teeny NuForce Icon to a pair of Definitive Technology Mythos STS SuperTower speakers, and Phillips was bowled over by the sound! The sheer incongruity of the match-up was disarming, but in the end Phillips heard the limitations of the NuForce Icon. Used as intended driving small speakers, it's … Read more

A good friend of mine is still fuming over picking HD-DVD over Blu-ray. He's held the grudge so long he just recently dumped the player and even some of the discs and bought a Blu-ray player.

I know another guy who's steamed that his $2,000 6-year-old receiver doesn't have HDMI switching, so to get Dolby TrueHD and DTS Master Audio he plays his Blu-ray over the receiver's 5.1 channel analog inputs. Fine, but the receiver doesn't do any sort of bass management over its analog inputs. The sound isn't so hot.

Do you know anybody who bought a plasma TV in 1999 for around $10,000 who still uses it as their primary display? I don't, but I'd bet most of those buyers are on their second or third display by now.… Read more

It's the hi-fi's job to produce the sound of music encoded in a recording.

Does how well or how accurately it produces the sound affect musical enjoyment? I'm not so sure about measurements; they just define distortion levels, power rating, and frequency response, but they don't have all that much to do with good sound. Good sound is much harder to nail down; we like what we like. You know good sound when you hear it.

Studio recordings rarely sound "live," or even realistic. How could they? Chances are the band never played the entire tune together "live" in the studio. Their music was patched together from bits and pieces, overdubbed, pitch corrected, rhythm corrected, EQ-ed, dynamically compressed, and processed in a gazillion ways. Of course, a lot of that also goes into modern "concert" recordings. So what constitutes a good sounding recording is pretty impossible to define. Play it back over a great system and what do you hear? Does it get your blood pumping?

So the question really is, does the music fully engage the listener? Sometimes, the better the hi-fi, the more music the listener hears, the more they like the music. Why that is? I don't know. … Read more

Wilson Audio Specialties didn't invent high-end speakers, but its original WATT speaker, introduced in 1986, changed the rules of the game.

Up to that point, state-of-the-art speakers were all large beasts, but the WATT was a comparatively tiny stand-mounted speaker. Its distinctive pyramidal shape went on to spawn countless imitations.

The WATT was soon joined by the matching Puppy (woofer), and over the ensuing decades the two-piece WATT/Puppy system evolved, culminating in the WATT/Puppy 8 in 2006. Well over 15,000 WATT/Puppys have been sold since 1986, but rather than move to the W/P 9, founder David Wilson decided to start afresh, so now we have the Sasha W/P ($26,900/pair).

Wilson Audio Specialties' director of sales, Peter McGrath, came to New York City to present the Sasha W/P to the press at Wilson dealer Innovative Audio last week. The new speaker's sweeping curves and refined shape make for the best-looking Wilson speaker of all time. … Read more

Heard, but hardly seen speakers aren't new.

There's a number of glass and clear plastic speakers on the market, but these fetching British models are something else again. People seem to want speakers and audio gear that "disappears" and still sound great. Ferguson Hill makes a full line of see-through designs, and from the looks of it the FH001 just might be a real contender.

It's a "horn" speaker made of clear acrylic, and its ultrahigh efficiency design allows it to play nice and loud with as little as 3 to 50 watts. So there's no need to use the FH001 with power hungry amplifiers! Horn speakers are easily the "greenest" of speaker types, and work well with even the smallest, most power-efficient amplifiers. I first heard about Ferguson Hill on the Ultimate AV Web site.

Women sometimes buy quality audio, but that doesn't make them audiophiles.

With rare exceptions, all the audiophiles I've known are men. The unifying mantra for audiophiles is that there's always something, maybe an amplifier or speaker just out a reach that might get them a little closer to the music. Audiophiles are gear junkies. They want to have Aretha Franklin or the New York Philharmonic or their favorite music sound like it's in the house. Audiophiles crave an emotional, visceral connection with their music.

That pretty much sums up Margery Budoff's audiophile urges. Like most audiophiles I know, Margery had an unusually strong affinity for music at a young age. She described herself as "A child musician with an industrial design fetish." Even as a little kid she loved the look of stuff, especially older, big and clunky 1950s and 1960s record players.

The first record Margery bought was "Telstar," then Dionne Warwick, then the Rolling Stones. The record player was the thing that could "Decipher the secret code encrypted in the records. I wanted to hear the sound in all its glory. That's how I became an audiophile."… Read more

As a reviewer I get to hear lots of speakers, and I immediately forget most of them.

It's not that they're bad, just unexceptional. Here's a Top 10 list and photo gallery of the very best-sounding speakers I've heard for less than $3,500 per pair. The brands may be unfamiliar, but each speaker is a stand-out winner. I will at some point do a Top 10 without price constraints. For now I want to highlight more affordable speakers that you can buy new.

On Thursday night in Manhattan, Mr. Monster himself, Noel Lee, introduced a handful of journalists to his new top-on-the-line in-ear headphones, the Turbine Pro.

I'm a huge fan of Monster's original Turbine at $150. It's easily my pick for the best bang-for-the-buck in-ear. But the new Turbine Pro at $250, due out next month, is better. The Turbine remains in the line.

I was listening to a hand-built prototype Turbine Pro (the builder must have really tiny hands) and I have to say, the new baby has even greater clarity, more accurate bass, and sweeter treble. It'… Read more