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Adobe adds raw support for newer cameras

Adobe Systems released an update to its Photoshop and Lightroom products on Thursday night to support raw images from a raft of newer cameras from Canon, Nikon, Sony, and others.

Raw image formats, which record the unprocessed image sensor data from various higher-end cameras, offer higher quality and more flexibility than JPEGs but require more processing and take up more space. Adobe, Apple, and others write their own modules to decode the proprietary formats.

Adobe's update supports several newer SLRs from Canon, Nikon, Pentax, and Sony; compact cameras from Olympus, Panasonic, and Canon; and several medium-format camera models from … Read more

With an eye to the future, try raw photos today

If you enjoy photography, don't make the mistake I did.

Using my then-new SLR in 2005 and 2006, I photographed everything from my new son to otherworldly canyons we visited in Utah. The only problem: the photos were taken only in JPEG format.

JPEG is fine as far as it goes, and indeed for most folks it will suffice. But having rediscovered my enjoyment of photography in the digital era, I wish I'd used the raw image format that comes with SLRs and higher-end compact cameras.

My initial regret was from the realization that raw photos, although taking up about three times the storage space as a JPEG and requiring manual processing, offer higher quality and more flexibility. But what I've come to understand since then is a second advantage of raw: because processing software improves over time, raw photos in effect can get better with age.

For that reason, I've begun recommending friends who show some enthusiasm for photography that they should think about shooting important events in raw format alongside JPEG. You don't have to mess with the raw files today, but if it's an important event like a wedding, you might want them for later.

I've included below some samples of a noisy image shot in near-darkness at ISO 25,600 from my SLR. They may not convince you that shooting raw is a miracle cure for photo quality, but they do illustrate some differences with the camera's JPEG and that the raw-processing software isn't standing still. … Read more

Lightroom 2.6 beta supports new compact cameras

Adobe Systems released beta software on Wednesday to support raw images from Canon's higher-end new compact cameras, the Powershot S90 and G11, Olympus' rival E-P2, Panasonic's FZ38, and a host of SLRs.

The software updates are betas of Lightroom 2.6, the Camera Raw 5.6 plug-in for Photoshop CS4, and the DNG Converter 5.6. All the software uses the same raw-image processing engine.

Raw images provide more flexibility and image quality but require more processing; typically only higher-end cameras support raw file formats. Most folks are happy with JPEG, but many photography enthusiasts prefer raw.

It'… Read more

Lightroom 3: Bring on the time-lapse videos

Adobe Systems released the first Lightroom 3.0 beta only last week, but already people are adapting the software for their own ends. In Sean McCormack's case, time-lapse video.

Time-lapse photography, for those unfamiliar with it, compresses a sequence of still images into a movie that appears to speed up the passage of time. It's how nature documentaries get those clouds scudding over the mountains and the sun racing across the sky.

Most of us use just a small fraction of what our software can do, but McCormack is one of those people at the other end of the spectrum who figures out how to push software well beyond the built-in feature set. In Lightroom's case he took advantage of its ability to export a sequence of shots as a video, a feature designed to let photographers create easily shared slideshows. … Read more

Speed and image quality core to Lightroom 3 beta

With the release of its first beta version of Photoshop Lightroom 3.0 on Wednesday night, Adobe Systems is trying to improve the heart of the photographic editing and cataloging software.

"With Lightroom 3, we're looking at a performance and image quality rearchitecture," said Product Manager Tom Hogarty. Those two goals are in opposition, since better image quality demands more computing horsepower. But Hogarty said the software is more responsive when moving among photos, and images look better with new noise reduction and sharpening abilities.

There are other changes, too, though: a revamped import process for importing photos into the software catalog; built-in connections to upload photos to online services and keep them in sync; a more flexible mechanism for laying out photos to be printed; new abilities for stamping watermarks onto photos; and the ability to export photos and music as a video file. … Read more

Survey: Pros warm to Adobe Lightroom

Adobe Systems' Photoshop Lightroom is catching on as a preferred tool professional photographers use to edit raw images taken with higher-end cameras, gaining at the expense of Apple's Aperture and Adobe's plug-in used in ordinary Photoshop.

John Nack, Adobe's principal product manager for Photoshop, gleefully publicized the research data from analyst firm InfoTrends on his blog Monday, pointing out the wider usage compared to Aperture and saying the displacement of the Camera Raw plug-in for Photoshop is expected. For other tasks besides raw image editing, Photoshop is used by about 90 percent, Nack said.

In 2009, the … Read more

Adobe ropes in raw support for Panasonic GF1

Adobe Systems on Monday released Lightroom 2.5 and the Camera Raw 5.5 Photoshop plug-in, software updates that add support for two high-profile Nikon SLRs, Olympus' ambitious but expensive E-P1 compact camera, and in a minor surprise, the Panasonic's GF1 competitor to the E-P1.

As expected from the beta test, the new version adds support for the Nikon's high-end D300s and entry-level D3000. Also on the list is Panasonic's ultrazoom, the DMC-FZ35.

The downloads are available at Adobe's Web site.

Dealing with the raw formats from higher-end cameras gives photographers more flexibility and quality than … Read more

Adobe tests raw support for Olympus E-P1, new Nikons

Adobe Systems has released a test version of its Camera Raw 5.5 plug-in so Photoshop can handle raw images from the Olympus E-P1 high-end compact camera, Nikon's new D3000 entry-level SLR, mid-range D300s SLR, and Panasonic's DMC-FZ35 ultrazoom.

Raw images are made of data taken directly from cameras' image sensors without in-camera processing, and they offer more flexibility and higher quality to those willing to put up with the hassle of converting them to JPEG or other more universal formats with software such as Adobe's Photoshop and Lightroom, Apple's Aperture and iPhoto, or Google's … Read more

Adobe's next Lightroom to forsake PowerPC Macs

Adobe Systems, taking the same course with its forthcoming Creative Suite applications, will offer the next Mac OS X version of Photoshop Lightroom only on Intel-based machines.

Apple has chosen to discontinue support for Macs using PowerPC processors beginning with its next operating system, version 10.6 aka Snow Leopard, which is due to arrive in coming weeks. Adobe said last week that its next Creative Suite will follow suit. The CS family includes programs such as Photoshop, Illustrator, Premiere, DreamWeaver, and Flash Professional.

Lightroom, which is for editing and cataloging photos, isn't part of the suite, but it'… Read more

Adobe reclaims design guru from Microsoft

A high-powered programmer who'd left Adobe Systems to lead a Microsoft Windows interface design team is heading back after just over a year.

Mark Hamburg had worked on Adobe Photoshop since version 2.0 in 1990 and then was instrumental in designing its photography-specific cousin, Lightroom, which sports a radically different user interface.

Hamburg left Adobe for Microsoft in 2008 to become a "distinguished engineer" leading work on improving operating system usability. He called the job an opportunity that "was a little too interesting to turn down" because he found the Windows' experience "really … Read more